Monday, June 14, 2010

I've begun attending open meditation on Wednesday nights. I've found a meditation center, here in the city. It's a simple, modern and unassuming looking building located in the middle of a residential block. Inside the entrance a small hallway leads into and open room. Windows line the left and right sides from floor to ceiling. Just before the session begins, the care-taker of the building opens these windows, and the air inside slowly acclimates to the outside climate. At the front of the room is a low platform, maybe six or eight inches elevated from the floor. A table stands in the center. On this is a simple shrine. Several small bowls are lined up on this table, and the attendant fills these, very deliberately, with water from a pitcher. The room itself is very sparsely decorated. The center of the room is lined with meditation cushions. These are dark blue, and there seems to be about three variations in sizes and shapes. This, I am told is to accommodate individual preferences and physical needs of those meditating.
As I sit in meditation the sounds of the neighborhood slowly begin to enter the room. Cars cruising slowly past. The indecipherable conversations of pedestrians passing on the sidewalk. Dogs barking.
On my first night the sounds of a circular saw, maybe half a block away, repeated in no particular pattern during my time there. Sawing. Hammering for a while. Sawing again. Bombing into the room above the sounds of people and birds and cars. I was struck, even during my meditation, by the realization that I was not annoyed by this interruption of mechanized industrial noise. Of dogs barking. Cars. Birds. There are settings in which these same sounds would drive me crazy. In a different context, like when I'm trying to sleep. Working. Watching tv. I was amazed to find them not unpleasant at all. They were simply just there. Neither good nor bad. Just elements in my current, unchangeable environment. Part of the experience of being me in that moment in time.
Sakyong Mipham Rinpoche compares life to driving along in a car. When we meditate, we are simply pulling the car to the shoulder, getting out, and standing there in the road. Taking in the scenery around us, the weather, the car, the road, our bodies. No judgment of these things. Just observation. I like this. I can get my head around it. It makes me think of every roadside pull-out, all over the United States, that I've ever been drawn to. I almost never pass one up. Sometimes I'll spend a few moments, leaving the car running. Sometimes I might stay for an hour or more. Absorbing that space.

Thursday, June 10, 2010

this is why we are here

To say that I'm a Buddhist would be jumping the gun. I stumble into Buddhist imagery fairly often in my work. Esthetically it's undeniably powerful. How often the folks getting this imagery are actually practicing Buddhists themselves, I could not say. It's not uncommon at all to put images on people who are more jazzed about how a thing looks, than the associated belief system behind it. I make a good living putting crosses on non-practicing Christians.
I've begun exploring the Buddha deeper after having seen a very good documentary film on cable recently. That sounds terribly lame to admit out loud, but there it is. The greatest impact of the film was in the realization that everything I thought I knew about Buddha was nothing but a series of complete misconceptions. I learned that the Buddha was an actual man. That he, too, had to contend with his own mortal human condition every day of his life. I had perceived him as possessing super powers, and assumed that he was not born of this world. I guess I believed he was just another god. Not here. Not among us. Not weak and alive and human.
It is in this realization that I've come to desire more information. I've begun to ask questions. The hunger for information is one of my favorite desires. I don't feel it all the time. Sometimes it's just way easier to not know.
This is the reason for starting this blog. It is intended to be a chronicle of my attempt to make something legible out of the answers.

Wednesday, June 9, 2010

my hands

I've been tattooing for 14 years. During this time, my hands have spent the better part of each work day wrapped in latex gloves. I use the term "latex gloves" out of habit, having actually switched to non-latex gloves many years ago. I've seen the results of latex allergies having developed in several peers, and have no interest in traveling down that road. Latex allergies are untreatable. They only get worse. Eventually even things like underwear waistbands and latex condoms become irritants. This sounds horrifying to me. I never go without underwear. Feels far too savage for my tastes. The thought of a life without condoms terrifies me to no end. Many great joys have found inspiration in comfortable underwear, and come to fruition in condoms. I'll pay the extra money for non-latex, nitrile gloves, and will smile as I empty my wallet in doing so.
The side effect of my digits spending so much time contained in these gloves is evident in my tender, lily white hands. They are smooth and pale. Soft. Almost feminine. These are most decidedly not the hands of my father, who worked in the auto body industry for more than 30 years. His hands were like leather gloves. Rough, craggy. Cracked and calloused. He could grip a piece of hot steel and not feel the pain that would send most men screeching.
I love welding. I love fighting with and fabricating old rusted steel. I build traditional, 1950's styled hot rods when I'm not at the shop. I spend a lot of my weekend time in the garage doing this. The reality of it all, however, is that I spend far more time wearing latex gloves than not. Because of this, my tender, perfect hands endure my weekends by shredding and tearing apart. Grinding sparks, hot weld spatter, sandpaper and hammer blows leave my fingers and knuckles bloodied by Monday. At the tattoo shop, protected again in the gloves, they recover. By Friday, nearly healed, I'm back into the garage to beat my hands apart again. During the week at work, I look over my hands and fingers, and recall what things I accomplished in the garage the previous weekend. The challenges of stubborn metal. The small victories, and occasional great failures. These things bring me no financial gain. No glory. They have nothing to do with my day to day work whatsoever. Done for no other reason than to see if I could do it. To see if I had it in me to master the skills required for the task at hand. Breathing new life into forgotten old steel.